We took some over the shoulder shots as we hope to do in our actual video. We angled the first shot so the model was only in a portion of the shot, changing the depth of field to a shallow focus which blurred the model's head, meaning the primary focus was on the scenery. We hope to use this when the model is looking out from the pier philosophically. We also took another shot of the model but this time did not change the depth of field and ensured the model was in a greater portion of this shot as this will be used when the model is walking along the pier.
We then also took some side shots of the model which would be used when on the pier which shall be used along with the over the shoulder shots. We also hope to use more close ups here as well. You can see the scenery is slightly blurred, something we want to initiate in our video.

We plan to have some close ups of nature in the opening scene of our music video so took some small shots of flowers, once again changing the depth of field to a shallow focus to blur the background. We also plan to have some close up shots of the model being at one with nature, touching the flowers and wandering through a rose garden towards the end of the video.
We plan on having a homeless person sitting stationary on the ground while people rush past, much like the Ed Sheeran 'A Team' video. We tried to shoot as an experiment with someone on the floor and people walking past. Obviously this is extremely difficult to achieve when using still shots yet we wanted to gain some insight into the camera angles. We decided to chose to shoot at eyeline level of the 'homeless person' and will use this angle when shooting our actual video as we think this allows the viewer to see the action on their level, rather than the people who are walking perspective. This will also provide a nice, fluid cut when we show a POV shot from the homeless person's perspective rather than a jump from a higher angle to a face on, lower angle.

On the final 3 chords of the song we plan on having the camera moving further away from the model, in time with the music. We plan on this being face on shots of the model before fading out to black. We took some still shots of what would be recorded on each beat. We would hope to recreate this in the recording whilst having the model obviously in the chosen location, clothing and acting.
(Filming by Hannah and Rosie; Modeling by Katie)
For the walking shots research from any film how other directors have filmed walking. Look at how Kubrick directs people in The Shining and in A clockwork Orange for instance and compare that to other more conventional ways of filming someone walk.
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